This is a beautiful recording. It’s not really bluegrass, not really folk, it’s just flat out beautiful. This collection of 14 tunes is a wonderful combination of folk songs, traditional instrumentals, some well-known contemporary songs, and a few surprises. The musicianship is virtuosic, the vocals warm, harmonies lush, and the approach innovative.
If you google the Gibson Brothers and you get as far as "gibson b," the list of suggestions put forth by the mighty search engine puts the bluegrass group before the Gibson Banjo. Anyone who knows even a little about bluegrass music will tell you that this is a big deal indeed. The Gibson line of banjos are revered by bluegrass pickers the world over; the Gibson Brothers are not: at least, not
After listening to Daybreak numerous times to absorb the feel of it, I found such a large Alison Krauss influence that I expected to find her listed as the producer (she's not, the album was co-produced by Barry Bales and Sierra Hull). Giving it some more listening time I found some Rhonda Vincent influences and I'm sure there's more than a few other influences that I'm missing. How could a young up-and-coming musician not be influenced by some of the most talented people in

