I enjoyed the new CD by Josh Williams titled Down Home. It was with much anticipation that I waited for him to release this CD as I've been a fan of his since his days with Special Consensus. Back in the Special C days he sang and played mandolin. Today as the head of his own band he plays guitar and sings lead. His voice is strong, a true lead voice, with the ability to sing over a huge range. I am floored by the clarity of his bass vocals and also his high notes. He is an amazing talent.
Rounder Records from Burlington MA last year released a Dailey and Vincent a cappella recording comprised of 12 cuts, all of them with a religious reference. This is as it should be--it was recorded as a fundraiser for Tennessee Bible College. Jamie Dailey and Darrin Vincent have fine bluegrass pedigrees, and both had participated in gospel/spiritual music in their musical background. Their IBMA awards give testimony regarding their musical “chops,” but it’s a jump from bluegrass, with 4 or 5 bluegrass instruments blazing the way for the vocalists, to the sound of a handful of voices, bare of all but the sound of air passing over vocal cords. These two performers, with the help of other bluegrass, gospel and country vocalists, (music veterans all) put out a full, ringing and satisfying rendition of each of the gospel tunes, with nary a guitar, banjo or bass in sight. It’s all in the voices, where there is no room to hide.
Grasstowne is Steve Gulley on guitar and lead vocals, Alan Bibey on mandolin and lead vocals, Phil Leadbetter on resonator and slide guitars, Jason Davis on banjo, and Travis Greer on bass. Special guest Stuart Duncan on the fiddle helps out on so many of the tracks that he's an essential member of the band for this disc.
Smithsonian Folkways Recordings has re-issued the recordings of the New Lost City Ramblers (1958 - 1973) in a new 3 CD set.
It seems like just a few short years ago that I attended a concert at Wilkes Community College. Looking back, I guess it was 1994 or '95, I was there to see the band Seldom Scene, with new members Dudley Connell, Fred Travers and Ronnie Simpkins making their Scene debut. But, the opening act blew me away, for it was the first time I had heard Blue Highway. I came away with an autographed copy of their CD A Long, Long Road and a feeling of excitement for what would become one of my personal favorites. That first Rebel Records recording was followed by two more Rebel releases and, then, a compilation of “the best of” the first three.